Tag Archive for 'robert-bloch'

24
May

best ripper stuff on tv and film

This list is limited to Jack the Ripper television and film. There are no Faux Rippers, False Sightings, or Copycats here. I’ll give a separate listing later for the best of those.

Alphabetical listing:

“Comes the Inquisitor” (1995)
Brilliant episode of Babylon 5, and one of the Ripper’s finest hours on screen. Of course, this is science fiction, so folks who hate that genre will probably not enjoy this episode.

Deadly Advice (1993)
Wickedly funny black comedy, complete with murderous advice from Jack the Ripper… among other infamous killers.

From Hell (2001)
Okay, this is not on the list because of the story. (I kind of have “issues” with turning Inspector Abberline–a real person–into a hop-head who dies young). It’s on the list because it is the most realistic depiction of the crimes and crime scenes on film. Production Designer Martin Childs did a tremendous amount of research into the actual scenes where the bodies were found. He used photographs from 1888, among other things, to help him design the set of Whitechapel. This film also provides a realistic, gritty, look for Whitechapel. It’s not as bad as Whitechapel actually was, but the Hughes Brothers know that audiences don’t really want to watch anything that horrific on screen.

Jack the Ripper (1959)
Clever script, with plenty of red herrings. Does not deal with the actual killings (has none of the real victims mentioned or shown). But it’s got an entertaining plot, nonetheless. And it’s also the first Ripper movie to show the riotous conditions in Whitechapel during the Ripper slayings.

Jack the Ripper (1988 )
This movie was made-for-TV during the Ripper centenary. Michael Caine plays Inspector Abberline (as an alcoholic, who happens to be brilliant). This movie does a fabulous job of re-creating the atmosphere in London during the autumn of 1888. It has one flaw, though, in my opinion: it goes on for 3 1/2 hours just showing what is known, then in the last 1/2 hour, it reveals who it thinks the killer was. Sorry, but any film that is trying to go for the “real thing” should leave the case as unsolved as it remains today. (I guess that answers the question: “So what do you think of Patricia Cornwell?”). A Jack the Ripper must-see.

The Lodger (1926)
This film is of interest, obviously, because it launched Alfred Hitchcock’s career. It was, in fact, the first film by Hitchcock to make it off the shelf and into the theaters. And when it did, it caused a sensation. The young Hitchcock was quickly hailed as Britain’s finest filmmaker. Hitchcock was already using lots of trick shots and doing complex maneuvers with the camera. The image of the Lodger appearing at the door is one of the great moments in early British cinema… as is the moment when we see the shadow from the window making a cross over his face. The film has great atmosphere and technique, and it hints at great things to come in this young man’s future. A Jack the Ripper must-see.

The Lodger (1944)
This is the best screen version of the novel. (Yes, it is better than the Hitchcock version, which is very good in its own right). And it has a legendary performance by Laird Cregar as Jack the Ripper. This is just classic era Hollywood doing its finest in making a suspense film. A Jack the Ripper must-see.

Lulu (1962)
This film is unknown to American audiences. But it’s a brilliant Austrian interpretation of the Lulu story (by Frank Wedekind). Incredible black and white cinematography and shot composition. This is just a beautifully filmed, and well acted film. Excellent direction, excellent set design, excellent costuming and casting. Too bad it’s so hard to find. I had to fly across a continent to watch it in a film archive!

Murder by Decree (1979)
Sherlock Holmes meets the Stephen Knight theory. Don’t know what the Stephen Knight theory is? It’s the Masonic Conspiracy theory… same one that they use in From Hell. Personally, I think the theory is preposterous, but that doesn’t mean you can’t make good films based on it. And this one has the added advantage of forgetting about Abberline entirely and just focusing on Sherlock Holmes’ investigation into the murders. Wonderful performances by Christopher Plummer as Holmes and James Mason as Watson. Though I would disagree, many regard this as the best Ripper film.

Pandora’s Box (1929)
Fabulous silent version of the Lulu story, with a legendary performance by Louise Brooks as Lulu. This is a Jack the Ripper must-see.

Room to Let (1949)
Clever re-working of The Lodger, with a fine performance by Valentine Dyall as the menacing Dr. Fell. Too bad the full 68-minute version is not readily available. Steer clear of the 55-minute version if you can. It’s badly mutilated for television viewing.

Study in Terror (1965)
This is the first “Sherlock Holmes Meets Jack the Ripper” to get onto the screen, and it is very good. Plus, John Neville (the Well-Manicured Man in The X-Files) plays Holmes. This is one of my personal favorite Ripper movies.

Time after Time (1979)
This is a fun science fiction Ripper fantasy, complete with time travel. There are better Ripper movies, but there aren’t many good ones that are as entertaining as this. Malcolm MacDowell and David Warner are great as H.G. Wells and Jack the Ripper, respectively.

“Yours Truly, Jack the Ripper” (1961)
This is a brilliant television adaptation of the Robert Bloch short story. Made for Boris Karloff’s Thriller, it is nicely directed by Ray Milland, with an excellent score by Jerry Goldsmith. This is first-class Ripper stuff (one of my personal favorites). Too bad it’s almost impossible to find. It is unfortunately not one of the Thriller episodes available on VHS or DVD. And, so far as I know, it never plays on television. Basically, you have to know a collector to find this one.**

**Note: This was unavailable at the time this post was written. It is now at now at least marginally available in what appears to be a non-commercial DVD collection of the entire Thriller series.

20
May

how the ripperlady got interested in ripper cinema

I’m a writer. And several years ago, I was doing some research for a book chapter on Psycho. Anyway, some college students had asked me a question about the similarities between a Faulkner story and Psycho. There was no question that the similarities were there, and there was also no question that both Faulkner and Hitchcock had worked in Hollywood in the 1940s. So I got curious and decided to explore that angle.

Well, there wasn’t any connection. The similarities were coincidental—sort of a convergence between cultural trends and the necessities of storytelling. However, in the course of my investigations, I did some reading from a book about the psychology of murder, published in 1959—shortly before Hitchcock made his movie. I wanted to know what that book had to say about Ed Gein, since Bloch loosely based Norman Bates upon Gein.

The book had an entire chapter on Gein. But I didn’t stop there. I read about nearly every infamous murderer catalogued in that book. Along the way, of course, I came upon Jack the Ripper. When I read about the injuries he inflicted on his victims, I wondered: “Why didn’t I know about this? Why did I only know that he cut their throats but never knew that he also disembowelled them?”

The answer was obvious: nearly my entire source of information about the Ripper was from television and movies (most of which I’d seen on television). Pop culture, for the most part, had sanitized and softened the Ripper. So I became curious about how the culture interprets Jack the Ripper–not just now, but ever since the Autumn of 1888.

Maybe I’ll blog about various trends in the coming days. But for now, I’ll just settle on the victims. Okay, I’m assuming that anybody reading this has some kind of interest in Jack the Ripper and/or Ripper movies. So tell me: what do you know about the victims? You probably know their occupation, right? I think nearly everybody knows that. Do you know the average age of the victims or their names? Unless you’re a hardcore Ripperologist (or serious fan of the Johnny Depp From Hell movie), probably not.

I gave a questionnaire to a film club a few years ago, and most people thought that the victims were young and beautiful. So did I before I began to study the case. I do have a theory on why many people think that. Many of us have gotten our impressions of the case from pop culture. And, of course, pop culture knows that beautiful young women sell product a whole lot better than decrepit middle-aged alcoholic prostitutes do. Hence, the first “distorted” presentation of the victims in cinema.

Now, I’m not complaining about the distortion. I just find it interesting… just as I find it interesting that the Ripper can be used in supernatural horror movies, science fiction, and virtually anything else that writers can dream up. Every character inspired by Ed Gein–whether it’s Norman Bates, Leatherface, or Buffalo Bill–is a character planted at least marginally in the real world. Okay, Texas Chainsaw is kind of a surreal world, but there’s nothing supernatural about it.

Why does the Ripper get to be immortal (or whatever) and Gein-based characters do not? Well, I have a theory about that too.

I think I’ll save it, though, for tomorrow.




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